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BEST INDEPENDENT MUSIC PRODUCER/MUSIC ARTIST IN BIG VIRGINIA CITIES: "HEAVY ANTHONY WILLIAMS"

BEST INDEPENDENT MUSIC PRODUCER/MUSIC ARTIST IN BIG VIRGINIA CITIES: "HEAVY ANTHONY WILLIAMS"
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VAN STONE RADIO/THE ROAR JAZZ/SWITCH THE JAZZ BEAT 89.1 FM ViLLANOVA PHILLY AND CALIFORNIA RADIO

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R.V.J.C. RADIO VAN STONE JAMAICA-CARIBBEAN / BEST REGGAE MUSIC ARTIST WITH DJ RIGH M.

R.V.J.C. RADIO VAN STONE JAMAICA-CARIBBEAN / BEST REGGAE MUSIC ARTIST WITH DJ RIGH M.
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DON'T STOP KEVIN TONES DOWDY / KIA HAMN PRODUCTION MODE VIDEO

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WVSR-FM/WPMR-DB PHILLY FUNK RADIO Stream Radio
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RAYNA VALLANDINGHAM WHAT DOES MARTIAL ARTS MEAN TO YOU - INFORMERCIAL VIDEO

RAYNA VALLANDINGHAM WHAT DOES MARTIAL ARTS MEAN TO YOU - INFORMERCIAL VIDEO
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Latest Edition Of Talk Live Show In Philly/In California With Van Stone And Talk Show Friends

Sout City Mentoring Presents: Introducing "Hard Rock" Hamilton Organization Video

VAN STONE COLOMBIA, FASHION AND BEAUTY FOOD MODEL: CHARITO MARIN

VAN STONE COLOMBIA, FASHION AND BEAUTY FOOD MODEL: CHARITO MARIN
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VAN STONE UNITED STATES, FASHION AND BEAUTY POWER MODEL: CRYSTAL RIVERS

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Nina Mansi's New Top Model Team
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Promotion And Prevention In Mental Health; And Awareness Using Modeling And Photography

Promotion And Prevention In Mental Health; And Awareness Using Modeling And Photography
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Promotion And Prevention In Mental Health; And Awareness Using Modeling And Photography

Promotion And Prevention In Mental Health; And Awareness Using Modeling And Photography
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THE BLACK-AMERICAN AND USA-WOMAN, MAGAZINE COVER ICON MODEL: COLLECTION BY VAN STONE MAGAZINES

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LATIN AMERICA VAN STONE

LATIN AMERICA VAN STONE
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Van Stone's Philly Funk Radio Scope

Van Stone's Philly Funk Radio Scope

POWER WVSR ON-AIR CAR NEWS-4-YOU: MAKING THE ON AIR COMMUNITY CAR MANUFACTURER MODELS NEWS LIST

POWER WVSR ON-AIR CAR NEWS-4-YOU:  MAKING THE ON AIR COMMUNITY CAR MANUFACTURER MODELS NEWS  LIST
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Music Legends With Lamont Nelson

Music Legends With Lamont Nelson

"PROMOTE YOURSELF. DO IT YOURSELF."

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VAN STONE: BEST, NATURALLY YOU'RE BEAUTIFUL COLLECTION

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Tuesday, June 16, 2015

Power WVSR1360.1 and Power88 The FM Radio Station to Drop World Premier Antoine Hepkins’ Video “Distant Harmony” by Van Stone frontpagenews1@yahoo.com (267) 293-9201



Power WVSR1360.1 and Power88 The FM Radio Station to Drop World Premier Antoine Hepkins’ Video “Distant Harmony” by Van Stone frontpagenews1@yahoo.com (267) 293-9201 

















Above: Antoine Hepkins, Independent  Music Artist,
"Distant Harmony" Music Video (2015)

Philadelphia, PA / Dominican Republic Music News- Award-winning radio stations on the internet and the AM/FM radio frequency Power WVSR1360.1 AM and Power88 The FM has made music writer and song artist Antoine Hepkins’ original music video “Distant Harmony” (2015) available for viewing and streaming.

Power88.us, the sister radio station from Van Stone’s Power WVSR1360.us  has premiered worldwide independent music artist Antoine Hepkins record Distant Harmony on video for its national and international viewers who are in the Dominican Republic, Latin America, and North America, USA.

Antoine Hepkins’ song title Distant Harmony is a Funk and Folk music mix for music lovers who are dedicated to world diversity and meeting of minds.
 
The music video soundtracks, and song lyric, one of the world’s fastest growing music category of social network, urban, and rural music sound, present a new concept soundtrack single, “Distant Harmony” featuring the original themes composed by Antoine Hepkins and music team for Hepkins style for mainstream radio station rotation play.

With over 190,000 music listeners and viewers, power88.us is sure to boost Antoine Helpkins’ song Distant Harmony to a top popular music choice with the music cd and online community.
    
And speaking of a music community, Antoine Hepkins has entered his song Distant Harmony together with the Sound Cloud community at www.soundcloud.com/stream to help push his music further on a journey to build his song and become the newest leading artist followed by registered users with Sound Cloud.

Antoine Hepkins has sat in the music studio writing and singing trying to get to his new fans, deciding to work his way together with the Sound Cloud community, build his own leading global music platform that helps artists and creators share their music & audio with all music lovers.

He invites fans to follow his song Distant Harmony all the way to going on the internet, creating their very own Sound Cloud account, and then click the heart under "Distant Harmony" because this is a like and counts as a vote for his song competition in the Sound Cloud song challenge.

At Sound Cloud Hepkins has access to stats as soon as he uploads his music track. And he can see how many times his track has been played and how many of his fans have liked it.

Hepkins has been ranked among Philadelphia Front Page News newspapers, another Van Stone media leader, and top independent music developers. And Hepkins is nationally renowned for his style of music playing live band sounds.

Born in London, U.K. to Jamaican parents Antoine Hepkins traveled with his family to Staten Island, NY at age seven.

Hepkins taught himself to play the string instrument, the guitar as he listened to the radio and played along with the radio sound.

He plays all of the three main types of modern acoustic guitar: the classical guitar, (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar.

 Antoine Hepkins plays the electric guitar, including the semi –acoustic  guitar and electric bass guitar which is used extensively in his jazz, blues, bluegrass, country, R&B, flamenco, folk, jota, mariachi, metal, punk, reggae, rock, soul, and many forms of pop performance style.

In his mid-teens, Hepkins founded a Heavy Metal band called “Chemical Nightmare” which gained a solid fan base.  He became somewhat disillusioned by what many times happen behind the music and the music industry, Antoine decided to get a far reaching education in studies. Nevertheless, he found college to be an equally ridiculous proposition intertwined with music but completed his studies in spite of his misgivings.

Hepkins returned to music after a 13 year hiatus playing with several bands in the Woodstock, NY area before joining and touring with Symphony of Shred.

Antoine Hepkins has long ago abandoned the limelight and lives on a farm in Upstate NY with his wife Debra and family.

You’ll have access to stats as soon as you upload your first track. See how many times your track has been played and how many of your fans have liked it.

“Distant Harmony” music video is a unique mix single comprising Antoine Hepkins’ distinct and yet musically diverse sound themes spanning most of his kind of music.  And the music video is interactive and drives the viewer and listener to quickly get the message in the music- we are all so much alike.
   
For more information on Antoine Hepkins, Distant Harmony (2015) and the complete catalog of video and cd soundtracks, visit Antoine Hepkins  Facebook www.sumthing.com, like his Distant Harmony at www.soundcloud.com/stream and follow Antoine Hepkins music video on the radio at Power88.us . Read more Antoine Helpkins at www.fpnnews.us and www.powerwvsr1360.us.



Wednesday, June 10, 2015

Looking ahead to Game 4: Golden State vs. Cleveland

Looking ahead to Game 4: Golden State vs. Cleveland


SCtop61015.jpg














Stephen Curry had his issues working around the Cleveland defense in Gam

Previously, on ‘Warriors vs. Cavaliers’ …

It took a grounding, of sorts – the removal of all LeBron James’ hoped-for toys – for the Cleveland Cavaliers to reveal Golden State’s blood orange sky. A subpar defensive team during the regular season, one that merely turned into a mediocre defensive team following some midseason personnel upgrades, the Cavs turned the NBA’s highest-scoring regular season team into a shell of itself at the worst possible time. Cleveland is burrowing holes into Golden State’s foundation, and they’ve earned a 2-1 NBA Finals lead.

The best slams from all of basketball?

No, the Warriors weren’t the best offensive team in the NBA during the regular season, but they weren’t that far behind the top-ranked Los Angeles Clippers, and they certainly hold the potential to drop 122 points on whoever decides to try and stay in front of the squad’s seeming cast of all-around threats.

It’s not always about NBA MVP Stephen Curry and fellow Splash Brother Klay Thompson, you know. Harrison Barnes is revitalized as a James Worthy-styled fill-in-the-blanks guy as a starter this season. Andrew Bogut may not be able to shoot much anymore, but his screen-setting and passing make him a formidable presence on the offensive end. And Draymond 
Green! The shooting, the slashing, the passing, the effort! Is there anything he can’t do?

That was the ideal, at least, and Cleveland has spent 154 Finals minutes (with LeBron James on the court for right at 142 of them) chipping away at the burnishing that Golden State’s 67-15 regular season record and 12-3 traipse through the Western Conference bracket that GSW’s pre-Finals run provided. Suddenly, Bogut seems pointless on the offensive end. Suddenly, Barnes is playing like your timid cousin that can’t make it through a wedding toast anecdote without giving up on a joke that wasn’t going to be all that funny anyway. Suddenly, Draymond Green almost seems like an offensive zero.

Toss that in with exacting attention tossed Curry and Thompson’s way, and you have a GSW squad that is struggling to score. And the whole point of this operation, still, is to outscore your opponent.

Golden State tied a season-low in Game 3 with just 37 first half points, and its drooped shoulders and half-hearted attention to detail in an 18-point third quarter helped Cleveland build a 22-point lead. The Warriors came back to make a game of it, turning this into a one-point game with just two and a half minutes to go on a Stephen Curry three-pointer, but Cleveland managed to turn the scrum its way and hold onto the lead down the stretch of a goofball fourth quarter.

Whether or not any of this is sustainable, or the product of an odd three-game sample size is anyone’s guess – because we’re still guessing at this point. Cleveland had to completely re-shape its image on the fly due to a series of trades, and then injuries. Golden State, not exactly fat and sassy but hardly in danger for the season’s first seven months, may now have to do the same. .

LeBron James counts the hours. (Getty Images)















  

LeBron James counts the hours.
 
LeBron’s Legs

Sound familiar? Sue us if we play too long.

It’s partially due to the heavy minutes, it’s partially due to the heavy usage, and it’s partially due to the lack of other options, but it’s mostly due to his brilliance.

LeBron James is averaging an absurd 41 points, 12 rebounds, and 8.3 assists per game in the Finals. These are not normal numbers. What we are seeing is not correct. At some point someone is going to have to pinch me, and either tell me that my own solipsism is leading to some assumption that I am the only one watching this series, or that I’m dreaming some weird rapid eye movement scenario that somehow isn’t featuring me playing point guard for the 1995-96 Chicago Bulls with a still-alive John Lennon cheering from the sideline.
Instead, from all accounts (and I’ve asked around!) LeBron James is actually doing this in real life.

He might be hitting just over 40 percent of his shots in the series, going against his better nature while purposefully gunning away, but his teammates have hit nearly half of the shots they’ve taken off of his passes. This squad has somehow remodeled itself on the fly in his image. Not the vision of the preening superstar, bragging about how many titles he’s about to win alongside a cadre of his well-paid buddies, but the guy that has absatively no choice but to chip out the best possible possession available, even if it means winning a game with a team field goal percentage of 32.9 percent.

Is there a wall, there, guys?

One would presume, after a week like this, but LeBron may have worked himself around this, despite what he’s put into the last five weeks.

If sitting Tim Duncan and Tony Parker in a random game in December matters in June, then how much does sitting a full two weeks in winter matter to a man who has played into the last week of May and beyond in all but two of the last eight seasons? Toss in the eight-day layoff between Cleveland’s sweep of Atlanta and these NBA Finals, and you may have a LeBron James that is suited to average 47.3 minutes per game in the Finals.

While taking 35.7 shots per game.

While acting as the most fearsome defender on the floor.

Game 4 will be LeBron James’ fourth game of basketball in 16 days. He might be able to make it through this, shockingly.

Making Tigers Out of the Helpers

James’ Cavaliers were supposed to be the doofuses, here, overreaching in an attempting to make up for the loss of two All-Stars. Golden State’s heralded depth was supposed to be the tipping point even against a Cleveland Cavalier (or Atlanta Hawk, or Chicago Bull) squad in these Finals, entering the postseason. The Warriors sat two former All-Stars prior to the regular season, adding them to a bench that was already widely respected, while welcoming back a healthy Festus Ezili and Marreese Speights to the equation.

And yet, there we all were watching Game 3, watching James Jones burn a 67-win team, watching Matthew Dellavedova hustle his way into a weird text from your dad about “hustle,” wondering where Golden State went wrong.

GSW has its options. Leandro Barbosa did not play expert basketball in Game 3’s loss, but he also seemed to be the rare Warrior that had his head on a swivel on both ends, while showcasing an aggressive touch in 10 minutes of play. Ezeli was the opposite, tentative and frustrated both defensively and offensively, but he’s proven to be someone who can give the Cavaliers fits. Bogut’s two makes in Game 3 were both from his right hand, which has to be some sort of sign to look out for a meteor shower or an actually blinking turn signal from someone in a Cayenne SUV.

Warriors coach Steve Kerr, somewhat famously, has spent decades preparing for this gig. Not just the chance to push a very good team into acting like a great team, but the opportunity to turn a team’s fortunes around in an instant. In a 48-hour spell. As Lute Olsen did in 1988. As Lenny Wilkens did in 1992 against those Celtics. As Phil Jackson did, without Jordan in 1994 and with MJ in 1998. As Gregg Popovich did in 1999 and 2003. As his seatmate Alvin Gentry did in 2010, during a still-underrated playoff run with Kerr’s old Phoenix Suns.

He has short time to make a threat out of Green, and an All-Star out of David Lee all over again. Unfortunately for Kerr, his list of tasks doesn’t end there.
 
We were ready to slough off Harrison Barnes as a limited, Calbert Cheaney-type after a miserable second season in 2013-14. We were ready to slough of J.R. Smith as a bit of a joke who could provide merely a bi-monthly 22-point game until he started playing defense and actually moving with purpose without the ball alongside LeBron James. We were ready to commit to Draymond Green as our out-and-out hero until we saw him pass up on wide open three-pointers (or even 13-footers, after two dribbles) prior to watching him, frightened about what his stroke would look like on national TV, drive fruitlessly into the lane.

Confidence is a dangerous, double-edged thing. You mustn’t have too much of it, as it will sometimes act as the dividing wedge between a ridiculous J.R. Smith-styled 26-foot make with a hand in his face, and a wide-open J.R. Smith styled-miss from the corner in the game’s final minutes. The Warriors should have played blameless, thoughtless (that’s a good thing!) basketball while on the road in Game 3, and instead things tightened up. Will the non-LeBron Cavaliers do the same in Game 4?

We don’t know. We’ll never know. These are two teams without precedent, figuring things out along the way. We should be so lucky.

We’re due a blowout, at some point. History wants to prescribe us that sort of designation for either Game 4, or whatever the heck happens after Game 4. These two teams can’t help but stay close to each other, though, and it might be the contributor who is pressing his arch on that fine line between over-exuberance and outright belief that puts Game 4 away for his team.





.






 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

LeBron James counts the hours. (Getty Images)
LeBron’s Legs
Sound familiar? Sue us if we play too long.

It’s partially due to the heavy minutes, it’s partially due to the heavy usage, and it’s partially due to the lack of other options, but it’s mostly due to his brilliance. LeBron James is averaging an absurd 41 points, 12 rebounds, and 8.3 assists per game in the Finals. These are not normal numbers. What we are seeing is not correct. At some point someone is going to have to pinch me, and either tell me that my own solipsism is leading to some assumption that I am the only one watching this series, or that I’m dreaming some weird rapid eye movement scenario that somehow isn’t featuring me playing point guard for the 1995-96 Chicago Bulls with a still-alive John Lennon cheering from the sideline.
 
Instead, from all accounts (and I’ve asked around!) LeBron James is actually doing this in real life.
He might be hitting just over 40 percent of his shots in the series, going against his better nature while purposefully gunning away, but his teammates have hit nearly half of the shots they’ve taken off of his passes. This squad has somehow remodeled itself on the fly in his image. Not the vision of the preening superstar, bragging about how many titles he’s about to win alongside a cadre of his well-paid buddies, but the guy that has absatively no choice but to chip out the best possible possession available, even if it means winning a game with a team field goal percentage of 32.9 percent.
Is there a wall, there, guys?
One would presume, after a week like this, but LeBron may have worked himself around this, despite what he’s put into the last five weeks.
If sitting Tim Duncan and Tony Parker in a random game in December matters in June, then how much does sitting a full two weeks in winter matter to a man who has played into the last week of May and beyond in all but two of the last eight seasons? Toss in the eight-day layoff between Cleveland’s sweep of Atlanta and these NBA Finals, and you may have a LeBron James that is suited to average 47.3 minutes per game in the Finals.
While taking 35.7 shots per game.
While acting as the most fearsome defender on the floor.
Game 4 will be LeBron James’ fourth game of basketball in 16 days. He might be able to make it through this, shockingly.
Making Tigers Out of the Helpers
James’ Cavaliers were supposed to be the doofuses, here, overreaching in an attempting to make up for the loss of two All-Stars. Golden State’s heralded depth was supposed to be the tipping point even against a Cleveland Cavalier (or Atlanta Hawk, or Chicago Bull) squad in these Finals, entering the postseason. The Warriors sat two former All-Stars prior to the regular season, adding them to a bench that was already widely respected, while welcoming back a healthy Festus Ezili and Marreese Speights to the equation.
And yet, there we all were watching Game 3, watching James Jones burn a 67-win team, watching Matthew Dellavedova hustle his way into a weird text from your dad about “hustle,” wondering where Golden State went wrong.
GSW has its options. Leandro Barbosa did not play expert basketball in Game 3’s loss, but he also seemed to be the rare Warrior that had his head on a swivel on both ends, while showcasing an aggressive touch in 10 minutes of play. Ezeli was the opposite, tentative and frustrated both defensively and offensively, but he’s proven to be someone who can give the Cavaliers fits. Bogut’s two makes in Game 3 were both from his right hand, which has to be some sort of sign to look out for a meteor shower or an actually blinking turn signal from someone in a Cayenne SUV.
Warriors coach Steve Kerr, somewhat famously, has spent decades preparing for this gig. Not just the chance to push a very good team into acting like a great team, but the opportunity to turn a team’s fortunes around in an instant. In a 48-hour spell. As Lute Olsen did in 1988. As Lenny Wilkens did in 1992 against those Celtics. As Phil Jackson did, without Jordan in 1994 and with MJ in 1998. As Gregg Popovich did in 1999 and 2003. As his seatmate Alvin Gentry did in 2010, during a still-underrated playoff run with Kerr’s old Phoenix Suns.
He has short time to make a threat out of Green, and an All-Star out of David Lee all over again. Unfortunately for Kerr, his list of tasks doesn’t end there.
Confidence, Baby
We were ready to slough off Harrison Barnes as a limited, Calbert Cheaney-type after a miserable second season in 2013-14. We were ready to slough of J.R. Smith as a bit of a joke who could provide merely a bi-monthly 22-point game until he started playing defense and actually moving with purpose without the ball alongside LeBron James. We were ready to commit to Draymond Green as our out-and-out hero until we saw him pass up on wide open three-pointers (or even 13-footers, after two dribbles) prior to watching him, frightened about what his stroke would look like on national TV, drive fruitlessly into the lane.
Confidence is a dangerous, double-edged thing. You mustn’t have too much of it, as it will sometimes act as the dividing wedge between a ridiculous J.R. Smith-styled 26-foot make with a hand in his face, and a wide-open J.R. Smith styled-miss from the corner in the game’s final minutes. The Warriors should have played blameless, thoughtless (that’s a good thing!) basketball while on the road in Game 3, and instead things tightened up. Will the non-LeBron Cavaliers do the same in Game 4?
We don’t know. We’ll never know. These are two teams without precedent, figuring things out along the way. We should be so lucky.
We’re due a blowout, at some point. History wants to prescribe us that sort of designation for either Game 4, or whatever the heck happens after Game 4. These two teams can’t help but stay close to each other, though, and it might be the contributor who is pressing his arch on that fine line between over-exuberance and outright belief that puts Game 4 away for his team.

Sunday, June 7, 2015

Every Serena Williams win comes with a side of disgusting racism and sexism Van Stone Says Serena Williams Is An Extremely Beautiful Dark Skin Black Woman Model

Every Serena Williams win comes with a side of disgusting racism and sexism Van Stone Says Serena Williams Is An Extremely Beautiful Dark Skin Black Woman Model
 
 














Serena Williams, Woman Tennis Player and World Champion
winning the French Open, 2015.


I am Van Stone. And I am telling the world sports media that Serena Williams is an extremely beautiful dark skin Black Woman Model.  Serena is one of the most prettiest and sexy Black Women in the world. 

Serena Williams' natural features without use of computer retouching or color painting makes her so lovely.  

But here is an article forwarded for the Philadelphia Front Page News readers and viewers to inform that many cannot accept the beauty of Serena Williams.   
 
Serena Williams beat Lucie Safarova to win the French Open Saturday. Her reward, at least on social media, came in the form of some of the same racist and sexist comments that have followed her for her entire career.

In the moments surrounding her win, Williams was compared to an animal, likened to a man, and deemed frightening and horrifyingly unattractive. One Twitter user who wrote that Williams "looks like a gorilla, and sounds like a gorilla when she grunts while hitting the ball. In conclusion, she is a gorilla." And another described her as "so unbelievably dominant...and manly".  ESPN sports commentator Bomani Jones responded to those reactions — as well as to the ones that dismissed them as subjective commentary — with a series of tweets..

 What people who tried to insist that these were merely innocent, individual assessments of Williams'  looks didn't understand was that none of this was new, and none of it was random. 

Indian Wells and Beyond

At the 2001 BNP Paribas Open tournament in Indian Wells, California, Serena and Venus Williams were booed by fans who accused them of match fixing when Venus withdrew from a scheduled semifinal match. And then, according to the Williams family, things got worse:

"When Venus and I were walking down the stairs to our seats, people kept calling me 'nigger," her father and coach Richard Williams told USA Today at the time. One man, he said, threatened, "I wish it was '75; we'd skin you alive.'

Serena boycotted the event for over a decades,  only returning this year.

But the most recent commentary is a reminder that that didn't mark an end to the racialized, sexualized, dehumanizing comments about her. Nearly impossible to imagine being made about any of her peers, they're  a genre unto themselves, offering a case study on how biases make their way into media coverage. 

As James McKay and Helen Johnson write in a 2008 article published in Social Identities, about what they called the "pornographic eroticism and sexual grotesquerie in representations of African American sportswomen," even so-called complimentary commentary about Williams' athleticism is often grounded in stereotypes about black people (animalistic and aggressive) and black women specifically (masculine, unattractive, and overly sexual at once).
These remarks don't always take the form of explicit racial slurs or threats of bodily harm, like the ones reported at Indian Wells did. But if Williams were to boycott every tennis event at which someone made an offensive, dehumanizing reference to her body's size and shape, she'd have to quit the sport altogether. 

Shamless, explicit racial stereotypes

It's true: Williams is black, she's very muscular, and she's a skilled player. But breathless commentators sometimes talk about these qualities in a way that buys into what sociologist Delia Douglas, in an article on the Williams sisters published in 2004 by the Sociology of Sport Online, called "the essentialist logic of racial difference, which has long sought to mark the black body as inherently different from other bodies." The result is that Williams' athleticism is attributed to her ethnicity.

Dr. Peter Larkins, in an apparent attempt to compliment Williams, contributed his medical opinion in an interview with Australia's Herald Sun for a 2006  piece that compared her fitness to a competitor's. "It is the African-American race," he explained. "They just have this huge gluteal strength ... Jennifer Capriati was clearly out of shape and overweight. With Serena, that's her physique and genetics."

This thinking is part of a tradition Douglas dubbed the "ancient grammar of black physicality."
Ironically, Williams' mistakes have also been attributed to her race. At the 2007 Sony Ericsson Championship in Miami, a heckler was ejected from the stands after yelling at Williams, "That's the way to do it! Hit the net like any Negro would!"

But most of the racialized comments about Williams have been more carefully coded, rarely mentioning her ethnicity outright. 

Inappropriate scrutiny and sexualization of her body'\s size and shape

There's no way around it: the fascination with the size and shape of parts of Williams' body that have nothing to do with her tennis skills is creepy. It's also unsurprising. Ms. Magazine's Anita Little, writing in 2012, linked the sexualization of Williams' physique to the legacy of the "Hottentot Venus," an African woman whose real name was Saartjie Baartman, who was displayed before European audiences as a freak show attraction in the 1800s. "No matter how insanely successful black women like Serena become, the legacy of the Hottentot Venus will always be ready to rear its ugly head at an opportune moment," she wrote.
 
Reading some of the remarks made about Williams' curves, it would be easy to think you were privy to the observations of circus attendees gawking at an unfamiliar body, as opposed to journalists and sports commentators.

In 2002, after Williams competed at the US Open wearing a black spandex catsuit, Sunday Telegraph columnist Otis Gibson, seemingly struggling to find appropriate language in his critique of her outfit, wrote
"On some women [the catsuit] might look good. Unfortunately, some women aren't wearing it. On Serena, it only serves to accentuate a superstructure that is already bordering on the digitally enhanced and a rear end that I will attempt to sum up as discreetly as possible by simply referring to it as 'formidable.'"

In 2003, the satirical website Sportspickle published a piece that leveraged the preoccupation with this particular part of her body, in a piece starring Williams' butt as the winner of the Australian Open:

Tennis star Serena Williams cruised to a victory in the finals of Australian Open women's singles on Saturday and then dispatched her buttocks on Sunday to secure the doubles title. Serena beat her sister ... to win her fourth-straight major. On Sunday, her butt muscled its way to a 6-2, 6-1 title victory over the doubles pair of Virginia Ruano Pascual and Paola Suarez. The feat is the first-known occurrence of a body part winning a professional athletic contest.

It's not all white observers who make these types of comments. Jason Whitlock, a black sports writer, slammed Williams in a 2009 Fox Sports column for having "chosen to smother" her beauty "in an unsightly layer of thick, muscled blubber." His main gripe, unsurprisingly, was about what he called her "oversized back pack." He explained, "I am not fundamentally opposed to junk in the trunk, although my preference is a stuffed onion over an oozing pumpkin."

This type of disgusted scrutiny has targeted Williams' breasts, too. In commentary that was demonstrably wrong, given her astronomical success in tennis, the Telegraph's Matthew Norman wrote in 2006 that they were likely to hinder her career.

Generally, I'm all for chunky sports stars ... but tennis requires a mobility Serena cannot hope to achieve while lugging around breasts that are registered to vote in a different US state from the rest of her.

In 2012, Williams' friend the Danish tennis player Caroline Wozniacki brought to life all the scrutiny of Williams' body, mocking her curves by stuffing her top and tennis skirt with towels at an exhibition match. 

Williams responded to those who thought the joke was in bad taste by saying, "I don't think she meant anything racist by it," but added, "If people feel [that it seems racist], she should take reason and do something different next time."

 Just a silly stunt without any intent to harm? Possibly, but it was still part of a troubling pattern. As Ms. Magazine's Little wrote, "If Caroline truly wanted to impersonate Serena, she could have padded her legs and arms to represent Serena's muscled physique, but she targeted specific body parts — breasts and booty — for her little prank. The supposed hypersexuality of a black woman's anatomy is a ceaseless trope that is always used to get a laugh. The racist undertones of Caroline's stunt may not have been deliberate, but that doesn't mean they weren't there." 

Hyperbolic descriptions of her physical power

"The prominence of narratives that depict the Williams sisters as ‘overwhelming' and ‘destroying' their female opponents are significant for they call upon enduring stereotypes of the ‘dangerous' black body and the ‘strong black woman,'" Douglas wrote, noting the way both Venus's and Serena's strong black female bodies were "described as ‘pummeling', ‘overwhelming' and ‘overpowering' (apparently frail and powerless) white female opponents."

It's true that sports metaphors include reverences to violence: "crushed," "killed," and "destroyed" aren't 
unusual words to hear when describing wins. But descriptions of Serena's power and the strength behind her victories have taken this type of hyperbole to another level — one that suggests she's absolutely unparalleled in her strength and capacity for violence, especially as compared with her white opponents.

Writing for Rolling Stone in 2013, Stephen Roderick observed, "Sharapova is tall, white and blond, and, because of that, makes more money in endorsements than Serena, who is black, beautiful and built like one of those monster trucks that crushes Volkswagens at sports arenas."

In 2014, Russian tennis official Shamil Tarpischev infamously called the Williams sisters "brothers," saying, "It's frightening when you look at them. But really you just need to play against the ball." In response, Ms. Magazine's Corinne Gaston wrote, "The type of body-shaming in Tarpishchev's comment, while subtle, comes gift-wrapped in a triad from hell: misogyny, racism and transphobia."        

An insistence on seeing her as unusually aggressive and (literally) animalistic

The Telegraph's Sue Mott seemed to embrace Tarpischev's (and others') characterization of Williams as scary and take it another, dehumanizing level, when she wrote in 2002 that Williams and Venus had "evolved into players of Amazonian physique and piranha mentality."

Even when Williams loses, she's perceived as an untamed source of power. Describing Serena's 2009 US Open loss, an ESPN column noted that Williams' opponent "seemed destined to win the match anyways," describing how she'd returned "Serena's savage strokes."
 
And if it's not clear what words like "savage" imply, some writers have spelled it out. In 2001, sportscaster Sid Rosenberg literally called Venus an "animal" and said she and Serena would fit better posing for National Geographic magazine than for Playboy. He later told the Daily News that his comments weren't racist, "just zoological."

David Leonard, chair of the department of critical culture, gender, and race studies at Washington State University, compiled the following tweets, which he recorded after Williams won her fifth Wimbledon title in 2012,  in a post for his personal blog arguing that she faced racist treatment from the media and fans alike:

Today a giant gorilla escaped the zoo and won the womens title at Wimbledon... oh that was Serena Williams? My mistake.

Serena Williams is a gorilla

Watching tennis and listening to dad talk about how Serena Williams looks like gorilla from the mist

I don't see how in the hell men find Serena Williams attractive?! She looks like a male gorilla in a dress, just saying!

You might as well just bang a gorilla if you're going to bang Serena Williams

Earlier this week I said that all female tennis players were good looking. I was clearly mistaken:

The Gorilla aka Serena Williams.

Serena williams looks like a gorilla

Serena Williams is half man, half gorilla! I'm sure of it.

Serena Williams look like a man with tits, its only when she wears weave she looks female tbh, what a HENCH BOLD GORILLA!

Serena Williams is a gorilla in a skirt playing tennis #Wimbledon

My god Serena Williams is ugly! She's built like a silver backed gorilla

Lets take a good look at sexy and beautiful Serena Williams. 

 


"The racism raining down on Serena's victory parade highlights the nature of white supremacy ... her career has been one marred by the politics of hate, the politics of racism and sexism," Leonard wrote.

The racism that underlies the characterizations of her as hypersexual, aggressive, and animalistic, also means that when she dares to express frustration, she's stamped with the infamous "angry black woman" stereotype.

It's as bogus as the rest of the labels she's endured, but given the slights against her over the years, she has every right to be outraged.


Van Stone Black Women Models